Show Navigation

Search Results

Refine Search
Match all words
Match any word
Prints
Personal Use
Royalty-Free
Rights-Managed
(leave unchecked to
search all images)
{ 84 images found }

Loading ()...

  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    40110121_388.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    43110121_442.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    39110121_369.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    38110121_367.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    35110121_334.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    28110121_291.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    23110121_241.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    24110121_245.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    18110121_189.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    14110121_028.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    11110121_098.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    05110121_023.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    09110121_066.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    04110121_013.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    41110121_391.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    44110121_418.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    42110121_422.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    37110121_360.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    36110121_341.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    34110121_305.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    33110121_304.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    30110121_296.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    29110121_294.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    32110121_476.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    31110121_300.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    27110121_276.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    25110121_246.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    26110121_260.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    22110121_216.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    19110121_179-2.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    21110121_205.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    20110121_201.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    13110121_142.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    15110121_149.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    12110121_112.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    10110121_067.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    08110121_016.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    07110121_056.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    06110121_273.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    03110121_012.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    01110121_001.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    17110121_171.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    16110121_080.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    02110121_003.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    40_110317_219.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    39_110317_211.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    37_110317_209.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    38_110317_202.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    35_110317_168.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    34_110317_177.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    33_110317_167.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    32_110317_142.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    31_110317_135.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    30_110317_126.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    29_110317_120.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    26_110317_109.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    23_110317_097.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    18_110317_071.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    11_110317_014.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    10_110317_012.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    06_110317_154.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    04_110317_075.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    01_110317_039.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    36_110317_172.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    27_110317_110.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    28_110317_119.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    24_110317_104.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    22_110317_187.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    20_110317_079.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    21_110317_090.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    19_110317_078.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    16_110317_061.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    17_110317_036.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    15_110317_058.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    14_110317_057.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    13_110317_053.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    12_110317_022.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    07_110317_001.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    09_110317_005.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    08_110317_004.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    05_110317_157.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    03_110317_063.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    02_110317_163.jpg
  • Eleven by Mkultra at BIOS<br />
<br />
March 2011<br />
<br />
A promenade performance utilising the spaces of BIOS: personal meetings , public gatherings , facilities . Our history . The story of our parents , the history of our nation... A route in familiar and unfamiliar areas of BIOS. An archive, the bar of the revolution , the cuisine of childhood , a room filled with items from 1968 , a lecture room where a scientist explains the nature of time .<br />
<br />
Tonight we will meet again . One last time . Tonight is the night of our first meeting . The evening after the crisis. The summer night under the stars . The same song is heard again and again ... <br />
<br />
Idea : Mkultra<br />
Director Gigi Argyropoulou<br />
Assistant Director : Carlotta Scioldo<br />
Performers : Dimitris Vergados , Vasiliki Dimou, Rania Kelaiditi , Vicky Kyriakoulakou , Mary Lousi, Dimetra Barla, Stelios Parris , Carlotta Scioldo , Petros Spyropoulos, Evangeli Fili , Faidra Hadjikonstantis
    25_110317_107.jpg
  • Facebook
  • Twitter
x

georgios makkas

  • archive
    • All Galleries
    • Search
    • Cart
    • Lightbox
    • Client Area
  • multimedia
  • tear sheets
  • about
  • tear-sheets-2
  • contact