Show Navigation

Search Results

Refine Search
Match all words
Match any word
Prints
Personal Use
Royalty-Free
Rights-Managed
(leave unchecked to
search all images)
{ 3357 images found }

Loading ()...

  • Shattered glass on a shop front on Panepistimiou Street.<br />
<br />
Following the murder of a 15 year old boy, Alexandros Grigoropoulos, by a policeman on 6 December 2008 widespread riots, protests and unrest followed lasting for several weeks and spreading beyond the capital and even overseas<br />
<br />
When I walked in the streets of my town the day after the riots I instantly forgot the image I had about Athens, that of a bustling, peaceful, energetic metropolis and in my mind came the old photographs from WWII, the civil war and the students uprising against the dictatorship. <br />
<br />
Thus I decided not to turn my digital camera straight to the destroyed buildings but to photograph through an old camera that worked as a filter, a barrier between me and the city.
    081209_293.jpg
  • House covered with xysta (sgraffito) decorative motives in the village of Pyrgi, Mastichochoria of Chios. <br />
<br />
Pyrgi in Chios is known as the "painted village" on account of the decoration of the houses. The village still keeps its medieval style and together with the other Mastichochoria (Mastic Villages) are in the list of the Intangible Cultural Heritage of Humanity of UNESCO
    090923_346.jpg
  • Overview of the monastery Nea Moni on the Provateio Mountain in the centre of Chios island. <br />
<br />
Nea Moni  is a monastery on the island of Chios, a  UNESCO World Heritage Site. It was built in the 11th century by Byzantine emperor Constantine IX Monomachos and his wife, Empress Zoe. The Katholikon (main church ) is dedicated to the Dormition of the Virgin Mary.
    090923_484.jpg
  • One of the narrow alleys in Mesta village in Chios island, Greece.
    090923_222.jpg
  • The minaret of the former Ottoman Medjidie Mosque in the town of Chios now housing the Byzantine Museum of the island.
    090924_608.jpg
  • The Carnac stones (Alignements de Carnac) are an exceptionally dense collection of megalithic sites around the village of Carnac in Brittany.  The stone formations are either alignments, dolmens, tumuli or single menhirs. More than 3,000 prehistoric standing stones are in the area, erected by the Pre-Celtic people and it’s the largest collection in the world.
    101120_050.jpg
  • A family of refugees trying to cross the muddy field at the transit camp of Idomeni, Greece. <br />
<br />
Thousands of refugees are stranded in Idomeni unable to cross the border. The facilities are stretched to the limit and the conditions are appalling.
    160310_116.jpg
  • Early morning, Monday 14th of September 2015. We arrived at Belgrade and hit the rush hour traffic. Bisan woke up and start crying.
    150914_055.jpg
  • A dinghy with refugees is landing at e beach of Skala Sykamias, Lesvos, Greece.
    151008_627.jpg
  • Daniel 1 year and 8 months old from Teheran, Iran sleeps next to Mohadisha 9 years old at Moria camp, Lesvos, Greece.
    151007_379.jpg
  • Mahdi 8 months old from Herat Afghanistan in Moria camp, Lesvos, Greece
    151007_291.jpg
  • Bashir 29 holding his daughter Zaahra 2 ½ years old and his wife  Shefqe 24 years old holding her 7 months old girl Hamid from Chardere district of Afghanistan in Moria camp, Lesvos, Greece
    151007_078.jpg
  • Mashal 6 years old from Iraq in Kara Tepe camp in Lesvos, Greece
    151008_106.jpg
  • Six year old Mohammed from Iraq is checked by MSF doctor Dimitris Giannousis at the mobile camper van of MSF at Mytiline port, Lesvos, Greece.
    150909_186.jpg
  • MSF doctor Dimitris Giannousis  checking the medicine cabinet of the camper van of MSF at Mytiline port, Lesvos, Greece.
    150909_075.jpg
  • A group of Syrian refugees on a small inflatable boat minutes before their landing on the beach of Skala Sykaminias. In the horizon the Greek Coast Guard vessel could be seen. Everyday hundreds of refugees, mainly from Syria and Afghanistan, are crossing in small overcrowded inflatable boats the 6 mile channel from the Turkish coast to the island of Lesbos in Greece. Many spend their life savings, over $1000, to buy a space on those boats.
    150517_282.jpg
  • VANYA. ΔΕΚΑ ΧΡΟΝΙΑ ΜΕΤΑ. / ομάδα blitz<br />
Θέατρο Τέχνης Καρόλου Κουν,<br />
Παράσταση της ομάδας blitz εμπνευσμένη από το «Θείο Βάνια» του Τσέχοφ(1899).<br />
10 χρόνια μετά το τέλος του έργου, ο Βάνια, η Σόνια, η Ελένα και ο Αστρόφ ξαναθυμούνται αποσπάσματα της ζωής τους. Τα ξαναζούν, τα διορθώνουν, τα αναπαριστούν. Απομονωμένοι σε έναν απροσδιόριστο χώρο. Η αφήγηση του έργου προωθείται τόσο με τη σκηνική δράση όσο και με κείμενα που προβάλλονται εν είδει υπερτίτλων. Σκηνές από τον «Θείο Βάνια» και πρωτότυπα κείμενα διαστρεβλώνουν την τυπική συνέχεια του έργου και δημιουργούν ένα νέο περιεχόμενο, έναν νέο τόπο και μια νέα ιστορία.<br />
Η ομάδα blitz, 10 χρόνια μετά την ίδρυσή της, μεταξύ θεάτρου και ντοκυμαντέρ, μεταξύ αυτοβιογραφίας και μυθιστορήματος, γράφει ένα καινούριο έργο για την ερωτική επιθυμία, για τη ζωή ως θρίαμβο, για το πώς κανείς γερνάει, για τον φόβο που μεγαλώνει, για το θέατρο, τους διανοούμενους, τη μνήμη, την οργή, την ακινησία της ζωής – αναμιγνύοντας την ιστορία τους με την ιστορία των τσεχοφικών ηρώων, που κουράστηκαν μετά από 100 χρόνια θαυμασμού.<br />
Η «διεθνής» ελληνική ομάδα blitz συνεργάζεται για πρώτη φορά με το Θέατρο Τέχνης. Η παράσταση μετά την Αθήνα θα περιοδεύσει στο εξωτερικό.<br />
Σκηνοθεσία: ομάδα blitz<br />
Δραματουργία: ομάδα blitz, Νίκος Φλέσσας<br />
Φωτισμοί: Τάσος Παλαιορούτας<br />
Σκηνικά: Έφη Μπίρμπα<br />
Κοστούμια: Βασιλεία Ροζάνα<br />
Μουσική επιμέλεια: Γιώργος Κωσταντινίδης<br />
Βοηθός σκηνοθεσίας: Βάσια Ατταριάν<br />
Ηθοποιοί: Γιώργος Βαλαής, Αγγελική Παπούλια, Χρήστος Πασσαλής.<br />
Πέμπτη 27 Νοεμβρίου 2014 – Κυριακή 25 Ιανουαρίου 2015
    141126_044.jpg
  • Flooded football pitch near the village of Rakicke, Albania
    PL29.jpg
  • The abandoned kindergarden of Vrontero village, Greece
    PL25.jpg
  • Zhare on his tractor near Konjsko, FYR Macedonia
    PL11.jpg
  • We spend 800zł to 1000zł (€200-€250) a week on food. We prefer to taste a product and if it is acceptable we buy it again. We found good ham in the local shop so we buy ham only from there.  Certain things that we buy are Polish and often we try tasty things from around the word. We know the real taste of feta cheese so only buy Greek feta. Once a month we buy mega packs from Makro. We buy fresh products from a deli supermarket. We shop in different places for different things. Mainly we eat at home, from time to time we might go to a restaurant. <br />
<br />
<br />
Because of our jobs we could work from home, so the person that is at home usually cooks. Michał  learned how to cook from his family and Eleni from cookery books. She is more experimental so we are always nervous of what we are going to have. During winter we eat a lot of meat and pasta, in the summer more vegetables. Our favourite summer dish is grilled aubergines and peppers with balsamic vinegar. We rarely eat soups, they might be tasty but there are time consuming. The mood of the family dinner depends on the day. Every dinner has its own colour. Eleni remembers that during communism the majority of the houses didn't have normal tables because most of the flats were too small, so people were eating on coffee tables. Dinner tables came back to Poland after 1989 and that changed the culture of eating.
    Polish Family #22
  • We live in this house for 25 years. We needed some space for our 5 children when they where young. Also it was important to us to have a house with a garden where we could cultivate vegetables for the kids. Before we moved here we were living in a 18m2, two bedroom flat. When we were sleeping at night we were covering the whole floor.
    Polish Family #21 - house
  • Jacek 28<br />
<br />
Nowa Huta, Kraków, Poland  average income, higher education <br />
<br />
Jacek is a co-owner of the bar Klub Kombinator in Nowa Huta <br />
<br />
On Sundays I go to my grandparents. Sunday lunch is very important to me because I meet with my family. I tell them how was my week and I listen to them. On the rest of the days, sometimes I eat with friends or with people in Kombinator. The first meal I had in this flat was a theme dinner with friends, when everybody had the role of a celebrity -  Kasia was Madonna, Andrzej was the Pope and so on.
    Polish Family #20 - portrait
  • The dinner table of Wednesday, 24 February 2010 at 17:41<br />
<br />
The meal today is not my favourite but it was good. Actually it was the first time I did it. Sushi is my favourite dish probably because I cannot make it and because it’s so exotic. I bought all the ingredients for today’s meal on the local shop on the corner. It cost me 10zł (€2.50)
    Polish Family #20 - dinner table
  • At the base of the Caribou Memorial, three bronze tablets carry the names of 820 members of the Royal Newfoundland Regiment, the Newfoundland Royal Naval Reserve, and the Mercantile Marines who died in the First World War and have no known grave. The Caribou Memorial, the emblem of the Royal Newfoundland Regiment, standing atop a mound of Newfoundland granite. Beaumont-Hamel Newfoundland Memorial is dedicated to the commemoration of the Newfoundland Regiment that fought in the battle of Somme and WWI in general. Most of the  Newfoundland Regiment were dead within 15 to 20 minutes of leaving their trench in the morning of the 1st July 1916 during the first day of the Battle of the Somme.
    101109_463.jpg
  • The Caribou Memorial, the emblem of the Royal Newfoundland Regiment, standing atop a mound of Newfoundland granite. Beaumont-Hamel Newfoundland Memorial is dedicated to the commemoration of the Newfoundland Regiment that fought in the battle of Somme and WWI in general. Most of the  Newfoundland Regiment were dead within 15 to 20 minutes of leaving their trench in the morning of the 1st July 1916 during the first day of the Battle of the Somme.
    101109_507.jpg
  • Delville Wood Cemetery is the third largest cemetery in in the Somme battlefield area and contains 5,523 burials of which two-thirds are unknown.There are 5,242 UK burials, 152 from South Africa, 81 from Australia, 29 from Canada and 19 from New Zealand. Almost all of the casualties date from July to September 1916 and are from the battle of Delville Wood.
    101108_511.jpg
  • The ‪Museum of the Great War‬ (Historial de la Grande Guerre) in ‪Péronne‬, France
    101108_295.jpg
  • The names of 333 of the missing engraved on the wall of the chapel of  Somme American Cemetery and Memorial located in Bony, Aisne, Picardy, France. It contains the graves of 1,844 of the United States' military dead from World War I
    101108_180.jpg
  • Endless crosses at the cemetery outside the Douaumont ossuary (L'ossuaire de Douaumont) built in 1932 is a memorial containing the remains of soldiers who died at the battle of Verdun (21 February 1916 – 19 December 1916) During the battle 230.000 man died.  Ossuaire de Verdun, Verdun, ‪Meuse‬, France
    101108_057.jpg
  • Luxury motor yacht George P on a trip from Flisvos Marina (Trocantero) to Ornos in Mykonos
    zb130628_100.jpg
  • Luxury motor yacht George P on a trip from Flisvos Marina (Trocantero) to Ornos in Mykonos
    m130627_205.jpg
  • Luxury motor yacht George P on a trip from Flisvos Marina (Trocantero) to Ornos in Mykonos
    g130627_177.jpg
  • Galaxy <br />
Blitz Theatre Co <br />
Michael Cacoyannis Foundation 2010<br />
<br />
Galaxy is a four-hour parade of people, things, notions, objects, movements, expressions and words that are lost.<br />
<br />
Directed by : blitz theatre group<br />
Dramaturgy : blitz theatre group, Νikos Flessas<br />
Scenic design : Eva Manidaki <br />
Performers : Thanassis Demiris, Nikos Flessas, Thalia Ioannidou, Eleni Karagiorgi, Elina Loukou, Michalis Mathioudakis, Aggeliki Papoulia, Christos Passalis, Giorgos Valais
    101216_315.jpg
  • Galaxy <br />
Blitz Theatre Co <br />
Michael Cacoyannis Foundation 2010<br />
<br />
Galaxy is a four-hour parade of people, things, notions, objects, movements, expressions and words that are lost.<br />
<br />
Directed by : blitz theatre group<br />
Dramaturgy : blitz theatre group, Νikos Flessas<br />
Scenic design : Eva Manidaki <br />
Performers : Thanassis Demiris, Nikos Flessas, Thalia Ioannidou, Eleni Karagiorgi, Elina Loukou, Michalis Mathioudakis, Aggeliki Papoulia, Christos Passalis, Giorgos Valais
    101216_241.jpg
  • Galaxy <br />
Blitz Theatre Co <br />
Michael Cacoyannis Foundation 2010<br />
<br />
Galaxy is a four-hour parade of people, things, notions, objects, movements, expressions and words that are lost.<br />
<br />
Directed by : blitz theatre group<br />
Dramaturgy : blitz theatre group, Νikos Flessas<br />
Scenic design : Eva Manidaki <br />
Performers : Thanassis Demiris, Nikos Flessas, Thalia Ioannidou, Eleni Karagiorgi, Elina Loukou, Michalis Mathioudakis, Aggeliki Papoulia, Christos Passalis, Giorgos Valais
    101216_101.jpg
  • Galaxy <br />
Blitz Theatre Co <br />
Michael Cacoyannis Foundation 2010<br />
<br />
Galaxy is a four-hour parade of people, things, notions, objects, movements, expressions and words that are lost.<br />
<br />
Directed by : blitz theatre group<br />
Dramaturgy : blitz theatre group, Νikos Flessas<br />
Scenic design : Eva Manidaki <br />
Performers : Thanassis Demiris, Nikos Flessas, Thalia Ioannidou, Eleni Karagiorgi, Elina Loukou, Michalis Mathioudakis, Aggeliki Papoulia, Christos Passalis, Giorgos Valais
    101216_019.jpg
  • Bats' by ASIPKA theatre group based on the award-winning story of a new greek writer Lena Kitsopoulou<br />
 <br />
The director D. Bitos placed five actresses among the spectators in an oval table for fifty people without costumes or lighting. The performance was played at BIOS/ Athens <br />
 <br />
Direction : Dimitris Bitos<br />
Actors : Athina Vamvaka, Io Voulgaraki, Irini Drakou, Alexandra Kazazou, Maria Livadarou,  Eugenia Svarna<br />
<br />
bios exploring urban culture / october  2007
    n071001_068.jpg
  • Bats' by ASIPKA theatre group based on the award-winning story of a new greek writer Lena Kitsopoulou<br />
 <br />
The director D. Bitos placed five actresses among the spectators in an oval table for fifty people without costumes or lighting. The performance was played at BIOS/ Athens <br />
 <br />
Direction : Dimitris Bitos<br />
Actors : Athina Vamvaka, Io Voulgaraki, Irini Drakou, Alexandra Kazazou, Maria Livadarou,  Eugenia Svarna<br />
<br />
bios exploring urban culture / october  2007
    i071005_029.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    40110121_388.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    39110121_369.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    28110121_291.jpg
  • The Temptation of Saint Anthony: A performance for the nation <br />
theatre group Nova Melancholía<br />
Greek National Theatre 21 January 2011<br />
<br />
<br />
A work in progress for the sacred of today, for the darkness that surrounds us and for the deification of the Greek people of today.<br />
What is considered as sacred in Greece, today? Is there a possibility to re-use it? Is there space for resistance? And resistance against what? What is left to us out of the "ancient greek" heritage? Is it possible that this love for the antiquity is one of the most basic temptations of contemporary Greece? Do we still remember that the national anthem is, before anything else, a hymn to freedom? What is the mechanism that transforms a revolutionary song into a sacred symbol, hence making it impervious, it distances it and emprisons its always up-to-date message?<br />
 <br />
Why do we build a fence at Evros?<br />
<br />
Composition: Manolis Tsipos,  Live sound: Tasos Stamou, Light design: Thodoris Mihopoulos, <br />
Performers: Emi Kitsali, Vicky Kyriakoulakou, Vassilis Noulas, Nikos Sambalis, Ioanna Toumpakari, Manolis Tsipos
    23110121_241.jpg
  • Burned car and building in Ermou Street. <br />
<br />
The killing of the 15 year old boy Alexandros Grigoropoulos by a policeman resulted in widespread riots that altered the city landscape. When I walked in the streets of my town the day after the riots I instantly forgot the image I had about Athens, that of a bustling, peaceful, energetic metropolis and in my mind came the old photographs from WWII, the civil war and the students uprising against the dictatorship. Thus I decided not to turn my digital camera straight to the destroyed buildings but to photograph through an old camera that worked as a filter, a barrier between me and the city.
    GMK_081209_456.jpg
  • 081014_260.jpg
  • 081006_255.jpg
  • Concert of the Georgian community in Athens celebrating the Georgian Independence Day. <br />
<br />
On May 26, 1918 National Council of Georgia declared national independence of Georgian people and creation of Democratic Republic of Georgia. The statehood of Georgia was restored after 117 years
    130526_620.jpg
  • Concert of the Georgian community in Athens celebrating the Georgian Independence Day. <br />
<br />
On May 26, 1918 National Council of Georgia declared national independence of Georgian people and creation of Democratic Republic of Georgia. The statehood of Georgia was restored after 117 years
    130526_610.jpg
  • Concert of the Georgian community in Athens celebrating the Georgian Independence Day. <br />
<br />
On May 26, 1918 National Council of Georgia declared national independence of Georgian people and creation of Democratic Republic of Georgia. The statehood of Georgia was restored after 117 years
    130526_582.jpg
  • Concert of the Georgian community in Athens celebrating the Georgian Independence Day. <br />
<br />
On May 26, 1918 National Council of Georgia declared national independence of Georgian people and creation of Democratic Republic of Georgia. The statehood of Georgia was restored after 117 years
    130526_554.jpg
  • Concert of the Georgian community in Athens celebrating the Georgian Independence Day. <br />
<br />
On May 26, 1918 National Council of Georgia declared national independence of Georgian people and creation of Democratic Republic of Georgia. The statehood of Georgia was restored after 117 years
    130526_469.jpg
  • Concert of the Georgian community in Athens celebrating the Georgian Independence Day. <br />
<br />
On May 26, 1918 National Council of Georgia declared national independence of Georgian people and creation of Democratic Republic of Georgia. The statehood of Georgia was restored after 117 years
    130526_453.jpg
  • Concert of the Georgian community in Athens celebrating the Georgian Independence Day. <br />
<br />
On May 26, 1918 National Council of Georgia declared national independence of Georgian people and creation of Democratic Republic of Georgia. The statehood of Georgia was restored after 117 years
    130526_441.jpg
  • Concert of the Georgian community in Athens celebrating the Georgian Independence Day. <br />
<br />
On May 26, 1918 National Council of Georgia declared national independence of Georgian people and creation of Democratic Republic of Georgia. The statehood of Georgia was restored after 117 years
    130526_406.jpg
  • Concert of the Georgian community in Athens celebrating the Georgian Independence Day. <br />
<br />
On May 26, 1918 National Council of Georgia declared national independence of Georgian people and creation of Democratic Republic of Georgia. The statehood of Georgia was restored after 117 years
    130526_398.jpg
  • Boiled carrots <br />
Serves 3<br />
<br />
Ingredients: 	3 carrots <br />
1 tablespoons sugar<br />
pinch of salt <br />
pinch of pepper <br />
1 full tablespoon flour<br />
1 full tablespoon butter <br />
<br />
<br />
Preparation :<br />
1.	Cut the carrots in small cubes <br />
2.	Add a pinch of salt and pepper and a tablespoon of sugar <br />
3.	Put them in a saucepan, cover with water and boil in medium heat for 30mins<br />
4.	Put the carrots in a bowl<br />
5.	In a pan fry the butter with the flour and add it to the carrots
    Polish Family # 11 - dish
  • Elzbieta and Jacek spend about 200 Zloty (EUR50) a week for food. We care about the food we buy. We buy healthy food but we believe that labels on food - organic, POP, etc - are more of a marketing thing than real quality assurance. We have a plot 10Km outside the town where in the summer we cultivate vegetables, herbs and fruits for our own consumption. We make preserves, pickles and we put herbs in salt for the winter. We keep all that in the basement. Our basement looks like a store. Mainly we shop in the local shops and in farmer's market. Rarely we go to supermarkets. Ania remembers that when she was a kid, 20 years ago, they weren't many sweets or vegetables in Poland. It was a hard time, people couldn't find meat and everybody had ration cards. <br />
<br />
<br />
We cook and we eat together everyday. We only go to restaurants on special occasions.  We are busy during the day so over the dinner we have the opportunity to talk about everything, good things, our problems, to enjoy each other and have a good time. <br />
<br />
We all cook, we learned from our parents. A good meal depends on the products, if they are fresh or not. Healthy, fresh, natural products from the farmer's market make a good meal.  In the summer we eat more vegetables and fruits. We like tomatoes very much; we could eat 1Kg of tomatoes a day.  Also in the summer we don't eat soups but only salads.
    Polish Family # 10 - set
  • The dinner table of Sunday 17 January 2010 at 16:00<br />
The chicken salad is our favorite meal, we make it once a week. We bought the chicken from the butcher, the salad from the market, the peaches and everything else from the supermarket. The whole meal cost about 70 zloty (EUR18)
    Polish Family # 03 - dinner table
  • This kiosk is in: Brynafon, Pontrhydygroes, Caredigion, Wales.<br />
Phone number: 01974 282230
    GMK_PB039s.jpg
  • Katsetas Evangelos (63) 1 Konstantinoupoleos Av.
    COver130227_007DL.jpg
  • Stavropoulou Eleni 29 Lordou Vironos Str
    130225_042DL.jpg
  • Haidos Evangelos (82)  21 Koletti Str
    130222_053DL.jpg
  • 130207_082.jpg
  • During the HYPATIA e-masterclass
    D4121122_048.jpg
  • Polish students  in front of a wall painting of ATLAS detector
    p121121_244.jpg
  • Building a Cloud Chamber
    121120_257.jpg
  • Visit to Low Energy Ion Ring
    121120_135.jpg
  • Visit to Low Energy Ion Ring
    121120_116.jpg
  • Children's visit to the Warsaw stock exchange and the Polish ministry of finance, organised by Polish NGO Akademia Przyszlosci
    121106_145.jpg
  • Children's visit to the Warsaw stock exchange and the Polish ministry of finance, organised by Polish NGO Akademia Przyszlosci
    121106_051.jpg
  • The Rum School of Tatavla - officially Ozel Kurtulus Rum Ilkogretim Okulu in 65-67 Safa Meydani, 80240, Kurtulus, Istanbul was build in 1887 and operated as a school until 2003.
    24_120914_001.jpg
  • The Galata Rum School - officially Ozel Karakoy Rum Ana ve Ilkogretim Okulu -  in 25, Kemeralti Caddesi, Karakoy, Istanbul,  was build in 1903 with the financial support of Andreas Eliadis from Epirus to serve the Greek - "Rum" community in the Galata neighborhood of Istanbul. The school was working until 1985 when it closed because of the lack of pupils. Currently the Galata Greek school is used for the Istanbul Design Biennial. ..Those pictures where made in September 2012 a month before the opening of the Istanbul Design Biennial as a visual illustration of the research made by Katerina Polychroniadi, Kalliopi Dimou and Spyros Nasainas - ?Spatial Organisation of Rum Communities in Istanbul: Urban, Architectural and Photographic Documentation? National Technical University of Athens Research Programme ..The pictures appear in Galata Rum School video http://vimeo.com/50469804
    120915_759.jpg
  • Anteos Hrisostomidis, head of the foreign literature department of the Kastaniotis Editions for Tahidromos magazine - Greece
    36_090702_047.jpg
  • Sventoura tower hotel in Pyrgos Dirou, Mani Greece
    44_120531_028.jpg
  • Sventoura tower hotel in Pyrgos Dirou, Mani Greece
    17_120531_054.jpg
  • Sventoura tower hotel in Pyrgos Dirou, Mani Greece
    09_120601_009.jpg
  • Old Greek drachma notes replaced in 2002 by the euro in front of the Greek flag
    GMK120518_268.jpg
  • Man passing by graffiti in Plaka, Athens Greece. Return of the Drachma, starring George Papandreou, supporting cast IMF
    100504_175.jpg
  • Pictures of Budapest Gypsy Symphony Orchestra (100 Violins)  during their trip from Budapest to Istanbul by bus on December 2007
    set_11.jpg
  • Maria Papalexiou. -Visual March to Prespes 2009
    12_090626_239.jpg
  • Athens city centre after the riots of the 12th February 2012
    120214_008_HDR.jpg
  • School pupils protesting in front of Greek police HQ in Alexandras avenue. <br />
<br />
Following the murder of a 15 year old boy, Alexandros Grigoropoulos, by a policeman on 6 December 2008 widespread riots, protests and unrest followed lasting for several weeks and spreading beyond the capital and even overseas<br />
<br />
When I walked in the streets of my town the day after the riots I instantly forgot the image I had about Athens, that of a bustling, peaceful, energetic metropolis and in my mind came the old photographs from WWII, the civil war and the students uprising against the dictatorship. <br />
<br />
Thus I decided not to turn my digital camera straight to the destroyed buildings but to photograph through an old camera that worked as a filter, a barrier between me and the city.
    081215_037.jpg
  • School pupils protesting in front of Greek police HQ in Alexandras avenue. <br />
<br />
Following the murder of a 15 year old boy, Alexandros Grigoropoulos, by a policeman on 6 December 2008 widespread riots, protests and unrest followed lasting for several weeks and spreading beyond the capital and even overseas<br />
<br />
When I walked in the streets of my town the day after the riots I instantly forgot the image I had about Athens, that of a bustling, peaceful, energetic metropolis and in my mind came the old photographs from WWII, the civil war and the students uprising against the dictatorship. <br />
<br />
Thus I decided not to turn my digital camera straight to the destroyed buildings but to photograph through an old camera that worked as a filter, a barrier between me and the city.
    081215_010.jpg
  • A teenage girl confronting the riot police that protects the Greek parliament.<br />
<br />
Following the murder of a 15 year old boy, Alexandros Grigoropoulos, by a policeman on 6 December 2008 widespread riots, protests and unrest followed lasting for several weeks and spreading beyond the capital and even overseas<br />
<br />
When I walked in the streets of my town the day after the riots I instantly forgot the image I had about Athens, that of a bustling, peaceful, energetic metropolis and in my mind came the old photographs from WWII, the civil war and the students uprising against the dictatorship. <br />
<br />
Thus I decided not to turn my digital camera straight to the destroyed buildings but to photograph through an old camera that worked as a filter, a barrier between me and the city.
    081209_689.jpg
  • A man talking to a riot policeman in front of the Greek parliament. <br />
<br />
Following the murder of a 15 year old boy, Alexandros Grigoropoulos, by a policeman on 6 December 2008 widespread riots, protests and unrest followed lasting for several weeks and spreading beyond the capital and even overseas<br />
<br />
When I walked in the streets of my town the day after the riots I instantly forgot the image I had about Athens, that of a bustling, peaceful, energetic metropolis and in my mind came the old photographs from WWII, the civil war and the students uprising against the dictatorship. <br />
<br />
Thus I decided not to turn my digital camera straight to the destroyed buildings but to photograph through an old camera that worked as a filter, a barrier between me and the city.
    081213_024.jpg
  • A teenager protesting in front of a riot policeman in Syntagma square. <br />
<br />
Following the murder of a 15 year old boy, Alexandros Grigoropoulos, by a policeman on 6 December 2008 widespread riots, protests and unrest followed lasting for several weeks and spreading beyond the capital and even overseas<br />
<br />
When I walked in the streets of my town the day after the riots I instantly forgot the image I had about Athens, that of a bustling, peaceful, energetic metropolis and in my mind came the old photographs from WWII, the civil war and the students uprising against the dictatorship. <br />
<br />
Thus I decided not to turn my digital camera straight to the destroyed buildings but to photograph through an old camera that worked as a filter, a barrier between me and the city.
    081213_008.jpg
  • A man passing by a smashed shop front on Ermou Street. <br />
<br />
Following the murder of a 15 year old boy, Alexandros Grigoropoulos, by a policeman on 6 December 2008 widespread riots, protests and unrest followed lasting for several weeks and spreading beyond the capital and even overseas<br />
<br />
When I walked in the streets of my town the day after the riots I instantly forgot the image I had about Athens, that of a bustling, peaceful, energetic metropolis and in my mind came the old photographs from WWII, the civil war and the students uprising against the dictatorship. <br />
<br />
Thus I decided not to turn my digital camera straight to the destroyed buildings but to photograph through an old camera that worked as a filter, a barrier between me and the city.
    081209_438.jpg
  • A firefighter walks in the deserted Ermou street at the centre of Athens. <br />
<br />
Following the murder of a 15 year old boy, Alexandros Grigoropoulos, by a policeman on 6 December 2008 widespread riots, protests and unrest followed lasting for several weeks and spreading beyond the capital and even overseas<br />
<br />
When I walked in the streets of my town the day after the riots I instantly forgot the image I had about Athens, that of a bustling, peaceful, energetic metropolis and in my mind came the old photographs from WWII, the civil war and the students uprising against the dictatorship. <br />
<br />
Thus I decided not to turn my digital camera straight to the destroyed buildings but to photograph through an old camera that worked as a filter, a barrier between me and the city.
    081209_670.jpg
  • The greek parliament after a riot during the 2008 Athens riots. <br />
<br />
Following the murder of a 15 year old boy, Alexandros Grigoropoulos, by a policeman on 6 December 2008 widespread riots, protests and unrest followed lasting for several weeks and spreading beyond the capital and even overseas<br />
<br />
When I walked in the streets of my town the day after the riots I instantly forgot the image I had about Athens, that of a bustling, peaceful, energetic metropolis and in my mind came the old photographs from WWII, the civil war and the students uprising against the dictatorship. <br />
<br />
Thus I decided not to turn my digital camera straight to the destroyed buildings but to photograph through an old camera that worked as a filter, a barrier between me and the city.
    081209_628.jpg
  • Rioting in front of King George hotel in Syntagma Athens. <br />
<br />
Following the murder of a 15 year old boy, Alexandros Grigoropoulos, by a policeman on 6 December 2008 widespread riots, protests and unrest followed lasting for several weeks and spreading beyond the capital and even overseas<br />
<br />
When I walked in the streets of my town the day after the riots I instantly forgot the image I had about Athens, that of a bustling, peaceful, energetic metropolis and in my mind came the old photographs from WWII, the civil war and the students uprising against the dictatorship. <br />
<br />
Thus I decided not to turn my digital camera straight to the destroyed buildings but to photograph through an old camera that worked as a filter, a barrier between me and the city.
    081209_625.jpg
  • Rioting in front of King George hotel in Syntagma Athens. <br />
<br />
Following the murder of a 15 year old boy, Alexandros Grigoropoulos, by a policeman on 6 December 2008 widespread riots, protests and unrest followed lasting for several weeks and spreading beyond the capital and even overseas<br />
<br />
When I walked in the streets of my town the day after the riots I instantly forgot the image I had about Athens, that of a bustling, peaceful, energetic metropolis and in my mind came the old photographs from WWII, the civil war and the students uprising against the dictatorship. <br />
<br />
Thus I decided not to turn my digital camera straight to the destroyed buildings but to photograph through an old camera that worked as a filter, a barrier between me and the city.
    081209_600.jpg
  • Riot police chasing protestors in  King George street in Syntagma Athens. <br />
<br />
Following the murder of a 15 year old boy, Alexandros Grigoropoulos, by a policeman on 6 December 2008 widespread riots, protests and unrest followed lasting for several weeks and spreading beyond the capital and even overseas<br />
<br />
When I walked in the streets of my town the day after the riots I instantly forgot the image I had about Athens, that of a bustling, peaceful, energetic metropolis and in my mind came the old photographs from WWII, the civil war and the students uprising against the dictatorship. <br />
<br />
Thus I decided not to turn my digital camera straight to the destroyed buildings but to photograph through an old camera that worked as a filter, a barrier between me and the city.
    081209_570.jpg
  • Rioting in front of King George hotel in Syntagma Athens. <br />
<br />
Following the murder of a 15 year old boy, Alexandros Grigoropoulos, by a policeman on 6 December 2008 widespread riots, protests and unrest followed lasting for several weeks and spreading beyond the capital and even overseas<br />
<br />
When I walked in the streets of my town the day after the riots I instantly forgot the image I had about Athens, that of a bustling, peaceful, energetic metropolis and in my mind came the old photographs from WWII, the civil war and the students uprising against the dictatorship. <br />
<br />
Thus I decided not to turn my digital camera straight to the destroyed buildings but to photograph through an old camera that worked as a filter, a barrier between me and the city.
    081209_587.jpg
  • The smashed window of a Bershka shop on Ermou Street. <br />
<br />
Following the murder of a 15 year old boy, Alexandros Grigoropoulos, by a policeman on 6 December 2008 widespread riots, protests and unrest followed lasting for several weeks and spreading beyond the capital and even overseas<br />
<br />
When I walked in the streets of my town the day after the riots I instantly forgot the image I had about Athens, that of a bustling, peaceful, energetic metropolis and in my mind came the old photographs from WWII, the civil war and the students uprising against the dictatorship. <br />
<br />
Thus I decided not to turn my digital camera straight to the destroyed buildings but to photograph through an old camera that worked as a filter, a barrier between me and the city.
    081209_323.jpg
  • A smashed window in the McDonald's restaurant on Syntagma Square. <br />
<br />
Following the murder of a 15 year old boy, Alexandros Grigoropoulos, by a policeman on 6 December 2008 widespread riots, protests and unrest followed lasting for several weeks and spreading beyond the capital and even overseas<br />
<br />
When I walked in the streets of my town the day after the riots I instantly forgot the image I had about Athens, that of a bustling, peaceful, energetic metropolis and in my mind came the old photographs from WWII, the civil war and the students uprising against the dictatorship. <br />
<br />
Thus I decided not to turn my digital camera straight to the destroyed buildings but to photograph through an old camera that worked as a filter, a barrier between me and the city.
    081209_369.jpg
  • A shattered revolving door. <br />
<br />
Following the murder of a 15 year old boy, Alexandros Grigoropoulos, by a policeman on 6 December 2008 widespread riots, protests and unrest followed lasting for several weeks and spreading beyond the capital and even overseas<br />
<br />
When I walked in the streets of my town the day after the riots I instantly forgot the image I had about Athens, that of a bustling, peaceful, energetic metropolis and in my mind came the old photographs from WWII, the civil war and the students uprising against the dictatorship. <br />
<br />
Thus I decided not to turn my digital camera straight to the destroyed buildings but to photograph through an old camera that worked as a filter, a barrier between me and the city.
    081209_272.jpg
  • A smashed shop front of a looted music store in Athens. <br />
<br />
Following the murder of a 15 year old boy, Alexandros Grigoropoulos, by a policeman on 6 December 2008 widespread riots, protests and unrest followed lasting for several weeks and spreading beyond the capital and even overseas<br />
<br />
When I walked in the streets of my town the day after the riots I instantly forgot the image I had about Athens, that of a bustling, peaceful, energetic metropolis and in my mind came the old photographs from WWII, the civil war and the students uprising against the dictatorship. <br />
<br />
Thus I decided not to turn my digital camera straight to the destroyed buildings but to photograph through an old camera that worked as a filter, a barrier between me and the city.
    081209_239.jpg
  • Flowers outside the closed shop of the mother of Alexandros Grigoropoulos. <br />
<br />
Following the murder of a 15 year old boy, Alexandros Grigoropoulos, by a policeman on 6 December 2008 widespread riots, protests and unrest followed lasting for several weeks and spreading beyond the capital and even overseas<br />
<br />
When I walked in the streets of my town the day after the riots I instantly forgot the image I had about Athens, that of a bustling, peaceful, energetic metropolis and in my mind came the old photographs from WWII, the civil war and the students uprising against the dictatorship. <br />
<br />
Thus I decided not to turn my digital camera straight to the destroyed buildings but to photograph through an old camera that worked as a filter, a barrier between me and the city.
    081209_204.jpg
  • A smashed shop front of a looted shoes shop in Kolokotraoni street, Athens. <br />
<br />
Following the murder of a 15 year old boy, Alexandros Grigoropoulos, by a policeman on 6 December 2008 widespread riots, protests and unrest followed lasting for several weeks and spreading beyond the capital and even overseas<br />
<br />
When I walked in the streets of my town the day after the riots I instantly forgot the image I had about Athens, that of a bustling, peaceful, energetic metropolis and in my mind came the old photographs from WWII, the civil war and the students uprising against the dictatorship. <br />
<br />
Thus I decided not to turn my digital camera straight to the destroyed buildings but to photograph through an old camera that worked as a filter, a barrier between me and the city.
    081209_257.jpg
  • A burned out building on Akadimias street. <br />
<br />
Following the murder of a 15 year old boy, Alexandros Grigoropoulos, by a policeman on 6 December 2008 widespread riots, protests and unrest followed lasting for several weeks and spreading beyond the capital and even overseas<br />
<br />
When I walked in the streets of my town the day after the riots I instantly forgot the image I had about Athens, that of a bustling, peaceful, energetic metropolis and in my mind came the old photographs from WWII, the civil war and the students uprising against the dictatorship. <br />
<br />
Thus I decided not to turn my digital camera straight to the destroyed buildings but to photograph through an old camera that worked as a filter, a barrier between me and the city.
    081209_129.jpg
Next
  • Facebook
  • Twitter
x

georgios makkas

  • archive
    • All Galleries
    • Search
    • Cart
    • Lightbox
    • Client Area
  • multimedia
  • tear sheets
  • about
  • tear-sheets-2
  • contact